Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

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Art & Design
4:00 am
Fri November 28, 2014

Gold-Plated Gowns And 8-inch Pumps: The Stuff That Made Starlets Shimmer

Mae West is said to have worn these super platform shoes both on screen and off.
Brian Sanderson Courtesy of Museum of Fine Arts, Boston

Originally published on Fri November 28, 2014 7:16 am

Dripping in diamonds and shimmering in silks, the movie stars of the 1930s and '40s dazzled on the silver screen. Now, some of their costumes and jewels are on view at the Museum of Fine Arts in Boston. There, a film clip runs on a wall behind gorgeously gowned mannequins lit by sconces and chandeliers. The clip is from 1932's No Man of Her Own, starring Clark Gable and Carole Lombard. Nearby, co-curator Michelle Finamore points to the actual gown Lombard wore. It's long, made of slinky silk crepe and covered in teeny gold-colored glass beads.

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The Salt
4:18 am
Fri November 21, 2014

Mama Stamberg's Cranberry Relish Put To The Test At Amish Market

A tub of Susan Stamberg's mother-in-law's famous cranberry relish made by Beth Hansen of Easton, Md.
Jackie Judd NPR

Originally published on Fri November 21, 2014 1:42 pm

The request was forwarded to me from a distant (fifth floor — I'm on the fourth) division of NPR.

It came from Justin Lucas, the head of NPR's Audience and Community Relations team. He's the go-to person here for requests from listeners, for information or permissions.

He'd gotten a letter from Beth Hansen, owner of Soup and Salad, a small sandwich shop in Easton, Md., a charming old town on the Eastern Shore of the Chesapeake Bay.

Justin read me an excerpt of the request: "I'd love to make and sell Mama Stamberg's Cranberry Chutney. A portion of the proceeds ... "

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Arts & Life
4:57 am
Fri October 31, 2014

The Colorful, Blossoming D.C. Arts Scene In The 1950s, '60s

Originally published on Fri October 31, 2014 7:42 am

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

RENEE MONTAGNE, HOST:

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Architecture
6:54 am
Thu July 31, 2014

Best Seat In The House Of Worship: The Temple Hollywood Built

The Wilshire Boulevard Temple (pictured above circa 1939) was dedicated 85 years ago in 1929. Rabbi Steve Leder says, "This was the Los Angeles Jewish community's statement to itself — and to the majoritarian culture that surrounded it — that 'We are here, and we are prepared to be a great cultural and religious and civic force in our community.' "
Courtesy Los Angeles Public Library

Originally published on Thu July 31, 2014 1:43 pm

There's an 85-year-old building on Wilshire Boulevard in Los Angeles that has been a venue for the Dalai Lama, the LA Philharmonic and even scenes in Entourage and The West Wing. But extracurricular activities aside, the Wilshire Boulevard Temple is a house of worship. Recently refurbished, and given a preservation award by the Los Angeles Conservancy, the temple has a special place in the history of Hollywood.

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Fine Art
12:52 pm
Thu June 12, 2014

Meet The Models: Exhibit Explores The People Behind The Paintings

In 1930, Grant Wood had his sister Nan pose for American Gothic. "The public reaction to the painting was so rough on her that her brother Grant felt bad for her," curator Elizabeth Botten says.
Art Institute of Chicago, Friends of American Art Collection AP

Originally published on Thu June 12, 2014 2:17 pm

An artist friend, Virginia Isbell, once asked me to pose for a quick pastel sketch in her Paris studio. I was flattered — and amazed to be on that side of a work of art. Never have I been looked at so intently, except by a parent or a lover. I was being fixed, examined, absorbed. And, for all the intensity, there was absolutely nothing personal about it.

I was an object to be replicated. Her eyes went from my face to her sketchpad, my nose, my eyes, mouth, chin — sketched in pastel in 20 minutes. It was fun. But it felt as if something had been taken from me.

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