Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

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Deceptive Cadence
7:54 am
Sun October 19, 2014

After 200 Years, A Schubert Song Still Resonates

Scottish-American soprano Mary Garden (1874-1967) portrayed Goethe's character Gretchen, known as Marguerite in Charles Gounod's opera Faust.
Bettmann/CORBIS

Originally published on Mon November 3, 2014 7:32 pm

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Deceptive Cadence
7:46 am
Sat September 13, 2014

Listen To The Atlanta Symphony While It's Locked Out — Again

Robert Spano conducts members of the Atlanta Symphony Orchestra, who are now locked out for the second time in two years after failed contract negotiations.
J.D. Scott Atlanta Symphony Orchestra

Originally published on Fri September 12, 2014 3:26 pm

Alas, it is déjà vu all over again for the Atlanta Symphony Orchestra. At midnight Saturday, the ASO musicians and management failed to meet the deadline to agree on a new contract after eight months of negotiations. That means the players, while still employees of the orchestra, are effectively locked out of the Woodruff Arts Center (the orchestra's home) and will not receive paychecks until a new agreement can be ratified.

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Deceptive Cadence
1:39 pm
Thu August 28, 2014

A Surge Of Scarlatti Sonatas

Each of Domenico Scarlatti's 555 keyboard sonatas has its own personality.
Wikimedia

Originally published on Thu August 28, 2014 12:08 pm

Three centuries ago a man named Domenico Scarlatti churned out an enormous number of keyboard sonatas — more than 550. Pianists, harpsichordists and even accordionists still can't get enough these inventive, bite-sized pieces.

A clutch of Scarlatti albums have appeared this year and more are on the way. Albums from pianists Orion Weiss and Igor Kamez are due in the coming weeks. Here we offer a sampling of five recent releases.

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Deceptive Cadence
7:45 am
Wed August 6, 2014

Ask Us Anything About Beethoven

Portrait of Beethoven by Joseph Karl Stieler, ca. 1818.
Wikimedia Commons

Originally published on Thu November 20, 2014 12:29 pm

What do you know about Beethoven? He wrote the Fifth Symphony (da da da dummmm ...) and he became deaf.

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Deceptive Cadence
8:00 am
Sat August 2, 2014

Meet The Cast Of The Met Opera's Labor Drama

Members of the American Guild of Musical Artists and the American Federation of Musicians, two of the unions embroiled in contract negotiations with Metropolitan Opera management, rally this morning at Dante Park across from Lincoln Center.
Jeff Lunden for NPR

Originally published on Tue August 26, 2014 1:37 pm

Think opera plots are tough to follow? Try wading through the complicated drama playing out offstage at the Metropolitan Opera. At its most basic, it's the story of management and labor unions fighting over a supposedly dwindling pot of money.

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