Fresh Air

  • Hosted by Terry Gross

Open a window to contemporary arts and issues with people from worlds as diverse as literature and economics. Host Terry Gross is a veteran public radio interviewer known for her extraordinary ability to engage guests of all dispositions.

Get a breath of Fresh Air, weekdays on 89.9 WSUF, 103.3 WQQQ and WSHU-Fairfield County Public Radio at noon, and on 1340 WYBC at 3 PM.  If you're an evening listener, catch Fresh Air at 9 PM on WSUF and WQQQ.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

Since it opened in 1911, the building has become a New York City landmark, praised not only for its beauty but also for its functional brilliance. In the words of one contemporary architect, the main branch of The New York Public Library at Fifth Avenue and 42nd Street is "a perfect machine for reading." The grand Reading Room sits atop seven levels of iron and steel books stacks whose contents could, at one time, be delivered to anybody who requested a book within a matter of minutes via a small elevator. Those stacks also support the floor of the Reading Room above.

Michelangelo is known for masterpieces like the Sistine Chapel and the statue of David, but most people probably don't know that he actually got his start in forgery. The great artist began his career as a forger of ancient Roman sculptures, art scholar Noah Charney tells Fresh Air's Dave Davies.

By the time Michelangelo's forgery was revealed, the Renaissance master was famous in his own right. But many other artistic forgers continue to copy the work of past artists in the hopes of passing their creations off as authentic.

Back in college English, I was taught that it was foolish to think that fictional characters have any reality beyond the page. You shouldn't speculate about how many children Lady Macbeth had or what job Holden Caulfield wound up doing as a grown-up.

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