Music Respawn with Kate Remington

WSHU Public Radio’s Kate Remington combines her love of classical music and video games in this series of informal conversations with composers and performers of game soundtracks. Plus, there’s lots of music in the interviews, so you can hear it for yourself!

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thechineseroom.co.uk

Jessica Curry won a BAFTA award for her soundtrack for The Chinese Room's Everybody's Gone to the Rapture, so when it was announced that she was working on music for a new game, the excitement was palpable. As she told me, the story of So Let Us Melt is like a fairytale, and it was so much fun to write joyful music for it.

westofloathing.com

Ryan Ike says the writers of West of Loathing, a send-up of classic Western clichés, didn't pass up any opportunities for jokes, so he decided to write his music as if it's a serious Western as a foil for all the jokes. As we'll hear though, he had lots of fun with his track titles, which include Sit fer a Spell, The Sticks for Hands Rag, and Please Buy Our Game.

sloclap.com

With two new OST's, Absolver and Tooth and Tail, Austin Wintory returned to the idea of scoring combat like a dance sequence, which he first developed on Assassin's Creed Syndicate. In our conversation, Austin described the ballet qualities in the combat of Absolver, while he brought out the Bruegel-esque character of Tooth and Tail.

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