While the Boston Marathon will be the center of international attention this year, the marathon has always been a focal point at a Boston clinic that treats children with cancer.
For each of the past 16 marathons, many patients at the pediatric cancer program at Massachusetts General Hospital have been paired with runners — using the race’s symbol of endurance and strength to the youngsters undergoing cancer treatment.
Two former patients ran last year but were stopped before the finish line because of the bombings.
One of the biggest fields ever will assemble in Hopkinton, Massachusetts, for the 118th Boston Marathon on Monday morning, which is Patriots’ Day in Massachusetts. It’s the first Boston Marathon since the bombings near the finish line last April.
This year, 36,000 people will be running, including elite athletes from all around the world. African runners have dominated the Boston Marathon for more than two decades and they are the favorites again this year.
Three days of mourning have been declared in Puerto Rico following the death of salsa great Cheo Feliciano in a car accident there early Thursday. The singer was 78. "His music embodied the rhythm of Puerto Ricans living in New York City," U.S. Rep. Nydia Velazquez (D-NY) said in a statement, "and his lyrics helped tell our collective story."
One of Amy Schumer's comedy routines begins with the declaration, "I'm a little sluttier than the average bear. I really am."
Degrees of sluttiness may be hard to define, but Schumer does talk frankly about many subjects — including sex — that can be uncomfortable for people, both in her stand-up act and on her Comedy Central series, Inside Amy Schumer, which is now in its second season.
Every so often a high-toned arthouse director dips a toe into the horror genre and the results are uplifting: You realize vampires and space aliens are subjects too rich to be the sole property of schlockmeisters. That's the case with two new arty genre pictures: Jonathan Glazer's Under the Skin and Jim Jarmusch's Only Lovers Left Alive — both slow, expressionist, non-narrative, the kind of films that drive some people crazy with boredom and put others in their thrall.