Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

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Deceptive Cadence
7:34 am
Sat April 4, 2015

Multifaceted Music Critic Andrew Porter Dies At 86

Critic and opera translator Andrew Porter directs singer Nikki Einfeld during a rehearsal of a Canadian Opera Company production of Mozart's Magic Flute in Toronto in 2005.
Tannis Toohey Toronto Star

Originally published on Fri April 3, 2015 4:43 pm

Andrew Porter, a renowned music critic and scholar and translator of opera, died early today in London's Chelsea and Westminster Hospital. His twin sister, Sheila Porter, told NPR his death was the result of complications from pneumonia. He was 86.

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Deceptive Cadence
4:23 am
Tue February 10, 2015

Bach, Brits And A Bodacious Boston Orchestra: New Classical Albums

Composer Andrew Norman's new album is called Play.
BMOP Sound

Originally published on Fri February 27, 2015 5:02 pm

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Deceptive Cadence
10:33 am
Mon January 26, 2015

Soundtrack To The Outback: Remembering Peter Sculthorpe

On Australia Day, we salute composer Peter Sculthorpe.
Bridget Elliot Sono Luminus

Originally published on Tue January 27, 2015 9:16 am

They're celebrating Down Under. Today is Australia Day, a holiday marking the arrival of British ships at Sydney Harbour in 1788. A perfect day then to salute something truly Australian, something that speaks of national pride, austere landscapes and even the darker side of Australian history — the music of Peter Sculthorpe, who died last year at age 85.

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Deceptive Cadence
4:29 pm
Sat January 10, 2015

Swan Songs: Classical Musicians We Lost In 2014

Conductor Claudio Abbado was one of the many great classical musicians we bid farewell to in 2014.
Getty Images

Originally published on Fri January 9, 2015 8:35 am

Farewells are never easy, especially when you're saying goodbye to a favorite musician. From conductors and composers to pianists, singers and critics, the classical music world lost many masterful musicians in 2014.

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Deceptive Cadence
4:28 am
Mon December 15, 2014

Best Classical Albums Of 2014

The Pulitzer Prize-winning Become Ocean by John Luther Adams is one of NPR Classical's favorite albums of 2014.
Cantaloupe

Originally published on Fri December 12, 2014 10:59 am

Most years, Tom Huizenga and I spend a lot of time after Thanksgiving and well into December battling over — or, more truthfully, having many friendly but spirited discussions about — which recordings should comprise our 10 favorites of the year. We each come up with a list of 10, and then we start hammering things out in some amount of exquisite music-nerd agony. Some albums we agree upon, some are our individual picks.

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